Prints, Sizes & Pricing

Museum-quality giclée prints on archival paper. Every piece is numbered, authenticated, and shipped with a Certificate of Authenticity.

12"–36"
Size Range
100
Limited Edition Cap
100yr
Archival Rating
Free
US & Canada Shipping

Editions & Authenticity

Each artwork is available in two tiers: open editions for broader access and limited editions capped at 100 prints worldwide. All pieces ship unframed so you can choose your presentation.

Every print—regardless of tier—arrives pencil-numbered and accompanied by its Certificate of Authenticity. Limited edition prints carry a hidden mark known only to collectors.

What You Receive

  • 1
    Giclée print on Hahnemühle German Etching Paper
  • 2
    Pencil edition number indicating position in the limited series
  • 3
    Certificate of Authenticity verifying the work as an original Edmund Dantes piece

The Giclée Process

Each print is produced to museum standards using archival materials rated for over a century of display.

Precision Printing

Produced on Epson SureColor printers, engineered for color accuracy and fine detail reproduction across the full tonal range.

Archival Pigment Inks

Pigment-based inks that resist fading and water. Under proper display conditions, colors remain true for over a century.

German Etching Paper

Hahnemühle German Etching—a heavyweight, textured, acid-free archival paper that enhances detail and gives each print its distinctive tactile quality.

Packaging

Each artwork is wrapped in acid-free tissue paper, secured with corner protectors, and placed in a durable art tube or flat packaging. Every print arrives in pristine condition, ready to frame.

Shipping

Free shipping within the US and Canada. We ship worldwide with the same care and attention. International orders may be subject to customs charges upon entry.

Artist's Technique

Edmund Dantes describes his working method, with characteristic understatement, as a form of "gnostic alchemy" in which "all methods are on the table." His practice moves freely across mixed media, photography—in particular his ongoing studies of asphalt and urban thresholds—computer-guided procedures, and idiographic gesture, still hovering at the threshold of form, folded into a single field of experiment rather than displayed as technique.

The "Dantegraph"—his own term for a recurring structural figure—threads quietly through this work, appearing less as motif than as a way of scoring information across the surface. Dantes has hinted at prior work in metallurgy, mathematics, and the introspective programs of Titchener and Wundt; in the studio, these disciplines reappear less as citations than as background apparatus, subsumed into the slow, ritual labor that gives each image its charge.

Find your next piece

Browse the full portfolio or get in touch for trade inquiries.